Egon Schiele

Octobre 2, 2012 — January 6, 2013

The exhibition in Bilbao


Egon Schiele
Seated Couple, 1915
Watercolor, pencil, and embossing
51.8 x 41 cm
Albertina, Vienna, inv. no. 29766

Egon Schiele

This exhibition, Egon Schiele, presents a comprehensive approach to the great Austrian Expressionist’s universe, through a selection of drawings, gouaches, and watercolors from Albertina, Vienna, home to one of the most important and extensive collections of works on paper in the world.

Approximately one hundred works are included in the exhibition, revealing the artist’s stylistic evolution. The exhibition traces a course through his oeuvre, examining early works created while he was attending the Akademie der bildenden Künste (Academy of Fine Arts) in Vienna, pieces he created while influenced by Gustav Klimt and the Viennese Jugendstil, and his departure from naturalism through a radical treatment of color to the use of new, disconcerting motifs, such as the explicit, erotic nude.

Egon Schiele developed a highly personal style through the decorative use of flat surfaces and fluid ornamental lines, a signature of the Viennese Secession. The expressionistic body language and gestures of his figures respond both to the influence of clinical photographs documenting Dr. Jean-Martin Charcot’s female patients, who suffered from hysteria in the Salpêtrière hospital located in Paris, and to Otto Schmidt’s erotic studio photographs. In his work, Schiele freed the erotic representation of the female nude from the ties to caricature or pornography, and eliminated the historical antagonism between beauty and ugliness, giving the feminine nude a renewed and different role in art. In Schiele’s work, the sick body and pathological disintegration of the self both transcend to the category of art.

Exploring the themes present in his work—landscapes, flowers, children, nudes, portraits, and self-portraits—the exhibition presents a survey of the creative oeuvre of Schiele, a significant figure of early 20th-century art who died prematurely when he was only twenty-eight.

Curator: Klaus Albrecht Schröder


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